Establishing Objectives and Budgeting for Promotional Programs
ADVERTISING AND PROMOTIONAL
OBJECTIVES :
Specific
goals and objectives are the foundation on which all other promotional
decisions are made. Budgeting for advertising and other promotional areas, as
well as creative and media strategies and tactics, evolve from these
objectives. They also provide a standard against which performance can be
measured.
As
we know, advertising and promotion are not the only marketing activities involved
in generating sales. An important reason for setting specific objectives is that they
provide a benchmark against which the success or failure of the promotional
campaign can be measured.
Determining Promotional objectives
The
situation analysis is the foundation on which marketing objectives are
determined and the
Marketing plan
is developed. Promotional objectives evolve from the company’s overall marketing
plan and are rooted in its marketing objectives. Advertising and promotion objectives
are not the same as marketing objectives
Marketing Objectives:
Marketing objectives are usually defined in terms of specific, measurable
outcomes such as sales volume, market share, profits, or return on investment.
For examples, Expanding distribution and sales of product in certain market
areas. To be effective, objectives must also be realistic and attainable.
Managers
must be able to translate general marketing goals into communications goals and
specific promotional objectives.
Situation Analysis
The
situation analysis provides important information on
• The
market segments the firm wants to target and the target audience
• The
product and its main features, advantages, benefits, uses, and applications.
• The
company’s and competitors’ brands
• Ideas on
how the brand should be positioned and specific behavioural responses being
sought
Sales Oriented Objectives:
Many
managers believe that money spent on advertising and other forms of promotion should
produce measurable results, such as increasing sales volume by a certain percentage
or dollar amount or increasing the brand’s market share.
In the
business world, poor sales results can be due to any of the other marketing mix
variables, including product design or quality, packaging, distribution, or
pricing. Advertising can make consumers aware of and interested in the brand,
but it can’t make them buy it, particularly if it is not readily available or
is priced higher than a competing brand.
Direct-response
advertising is one type of advertising that evaluates its effectiveness on the
basis of sales. Sales-oriented objectives are also used when advertising plays a
dominant role in a firm’s marketing program and other factors are relatively
stable.
Communication Objectives:
Sometimes
retailers may also allocate advertising and promotional dollars to
image-building campaigns designed to create and enhance favourable perceptions
of their stores. In this case, sales-oriented objectives would not be
appropriate.
Another
example is when Hitachi designed to inform consumers of the speed and
reliability of the company’s products and technologies. Communications-based
objectives use tri-component models where consumers pass through three
successive stages: cognitive, affective, and conative. As consumers proceed
through the three stages, they move closer to make a purchase
Advertising and promotion perform communications tasks
by first accomplishing lower-level objectives such as awareness and knowledge or
comprehension and subsequently move towards the purchase. If awareness levels
for a brand and knowledge of its features and benefits are low, the
communications objective should be to increase them. If these blocks of the
pyramid are already in place, but liking or preference is low, the advertising
goal may be to change the target markets’ image of the brand and move consumers
through to purchase. In attempting to translate sales goals into specific
communications objectives, promotional planners often are not sure what
constitutes adequate levels of awareness, knowledge, liking, preference, or
conviction. There are no formulas to provide this information.
DAGMAR
model:
DAGMAR
is an approach to setting objectives. It is defined
as Defining Advertising Goals for Measured Advertising Results (DAGMAR). It was
proposed by Russell Colley. Colley proposed that the communications task be
based on a hierarchical model of the communications process with four stages:
• Awareness—making the
consumer aware of the existence of the brand or company.
•
Comprehension—developing an understanding of what the product is and what I will
do for the consumer.
• Conviction—developing
a mental disposition in the consumer to buy the product.
•
Action—getting the consumer to purchase the product.
Attributes
of the Objectives
·
Concrete
and Measurable Tasks
·
Defined Target Audience
·
Benchmark the present status
concerning response hierarchy variables
·
Determine the degree to which
consumers must be changed by the advertising campaign
·
Specify the time period in which
the objective needs to be achieved
Establishing
the Budget
Many managers treat the communications budget as an
expense rather than an investment. Instead of viewing the dollars spent as
contributing to additional sales and market share, they see budget expenses as
cutting into profits. As a result, when times get tough, the advertising and
promotional budget is the first to be cut.
Marginal
Analysis:
As advertising/promotional expenditures
increase, sales and
gross margins. Also increase to a point, but then they level off. Profits are
shown to be a result of the gross margin minus advertising expenditures. Using
this theory to establish its budget, a firm would continue to spend
advertising/promotional dollars as long as the marginal revenues
created by these expenditures exceeded the incremental advertising/promotional
costs. The optimal expenditure level is the point where marginal costs equal
the marginal revenues they generate (point A). If the sum of the
advertising/promotional expenditures exceeded the revenues they generated, one
would conclude the appropriations were too high and scale down the budget. If
revenues were higher, a higher budget might be in order.
Sales Response Models:
As
the amount of advertising increases, its incremental value decreases. The logic
is that those with the greatest potential to buy will likely act on the first
(or earliest) exposures, while those less likely to buy are not likely to
change as a result of the advertising. Thus, according to the concave-downward
function model, the effects of advertising quickly begin to diminish.
Budgeting Approaches:
The Affordable Method:
In the affordable method (often referred to as the “all you-can-afford
method”), the firm determines the amount to be spent in various areas such as
production and operations. Then it allocates what’s left to advertising and
promotion, considering this to be the amount it can afford. The task to be
performed by the advertising/promotions function is not considered, and the
likelihood of under- or overspending is high, as no guidelines for measuring
the effects of various budgets are established.
The Arbitrary Allocation:
The budget is determined by management solely on the basis of what is felt to
be necessary.
Percentage of Sales: This
method is most commonly used. In this method, the advertising and promotions
budget is based on sales of the product. Management determines the amount by
either (1) taking a percentage of the sales dollars or (2) assigning a fixed
amount of the unit product cost to promotion and multiplying this amount by the
number of units sold.
Competitive Parity: In the competitive parity method, managers establish
budget amounts by matching the competition’s percentage-of-sales expenditures.
Return on Investment: Here, the
advertising and promotions are considered investments, like plant and
equipment. Thus, the budgetary appropriation (investment) leads to certain
returns. Like other aspects of the firm’s efforts, advertising and promotion
are expected to earn a certain return.
Objective and
Task Method: It uses a build-up approach
consisting of three steps: (1) defining the communications objectives to be
accomplished, (2) determining the specific strategies and tasks needed to attain
them, and (3) estimating the costs associated with performance of these
strategies and tasks. The total budget is based on the accumulation of these
costs.
Payout Planning: a payout
plan determines the investment value of the advertising and promotion
appropriation. The basic idea is to project the revenues the product will generate,
as well as the costs it will incur, over two to three years. Based on an
expected rate of return, the payout plan will assist in determining how much
advertising and promotions expenditure will be necessary when the return might
be expected.
Quantitative Models: These
methods employ computer simulation models involving statistical techniques such
as multiple regression analysis to determine the relative contribution of the
advertising budget to sales.
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